Fazzi seems to be some sort of enforcer for an organized crime group. Her power allows her to bend people and things at perfect right angles. Very painful, if you get on her bad side. Fazzi is tall, aloof, and intimidating, even though she is a sheep. Her power seems to affect part of her body, her left horn is bent at a right angle, and her voice is modulated in an eerie "square wave pattern".
Poppy O' Possum is definitely different, wigged out, but in a cool way. I'm still trying to figure out how their society works, and how the rules of their magic functions. Ian Everett is cranking out some pretty original work, with characters that live in their own unique culture.
First of all, these cartoonists should NOT have been murdered.
These events have challenged me once again to live up to the quote Voltaire is credited for: “I disapprove of what you say, but I will defend to the death your right to say it." It's tempting to say that the Charlie Hebdo artists and editors were "asking for it". But if they were censored, then where would it stop? I learned the hard way what happens when you don't stand up to bullies,
and failing to do so means living in fear and self-censorship. Life with religious extremists has always been par for the course. Unfortunately, so many extremists have easy access to war materiel these days.
From what little I have seen of the Charlie Hebdo cartoons, personally I don't think their work was really any good. Their cartoons are cheap, hostile, vulgar, and promote the same old stereotypes. But again, this does not sanctify murder. Works like Andres Serrano's "Piss Christ" turned me off, but it wasn't enough to drive me to violence.
I don't have time to play into someone else's game. We need to grow up, and laugh off the drunks at the party, and walk past the garbage lying in the gutter. IMHO. And have the confidence in the things we believe to be sacred, and not freak out, no matter what others say.
Personally, if work in comics, or any other medium is going to be provocative, (hey, what work isn't?) then the creators should be able to take legitimate criticism, but not a hail of bullets. And in my opinion, artwork should have some educational, or at least uplifting undertone. Right wing groups in the U.S. publish and broadcast very hostile and denigrating material, and claim that it's their 1st Amendment right. To me, this still borders on yelling "FIRE" in a crowded movie house, but that's a discussion for another day.
I don't know which Muslim or Arabic publications make some sort of editorial response to magazines like Charlie Hebdo. They also have a right to heard, and be the voices of reason in those cultures. Spiegelman on Democracy Now! stated that the Charlie Hebdo cartoons afflict the already afflicted.
But in the case of today's assaults, this shouldn't mean you have to turn your studio into an armed bunker. The worst thing to happen is someone getting sued if the courts decide that their statements are slanderous. (or, down on the street level, when you dare someone to take a swing
at your chin, you had better be ready to defend yourself. But men of honor will fight only with their fists, right?)
(art copyright Art Spiegelman)
We live in an age where violent action and deadly force is becoming more and more the first course of action. Someone will always lash out in the name of ___. It's safe to say this will never be settled.
Thanks for reading my thoughts. Check out Art Spiegelman on Democracy Now! on KPFK.
I guess I'm projecting too much of my own ideas onto Wander over Yonder. They could have had a real cliff hanger with Sylvia seriously considering getting back together with Ryder.
Disney might have added more depth if Ryder did have some redeeming values, instead of being a selfish jerk. The "B" story could have been Wander's comical attempts at being the tough guy to win Sylvia back. Wander could have teamed up with the giant space slug that was sneaking up behind him to eat him.
(art copyright Disney)
But we have learned more about Sylvia, after seeing "The Rider" episode. She
was turning into quite an outlaw after leaving her relatively happy
world of Marshfalaffle Apple Meadow. But being with Wander let's her
share in his magic, and so she can tolerate most of his goofy antics. For instance, being decorated with jingle
bells as they deliver gifts throughout the galaxy.
Wander is still a mystery, and maybe he should be left that way.
It leaves some things to the viewers imagination, and makes the show more fun.
Happy Holidays folks, I'm still trying to get into the spirit out here.
Trell deserves the credit. But this scenario could be totally insane: It would take the Avengers, Warlock, Captain Mar-Vell, the Defenders and Spider-Man to handle this crisis. Okay, and the X-Men and S.H.I.E.L.D. too.
(And it would probably have a cameo by Stan Lee as well.)
(Thanos created by Jim Starlin, copyright Marvel/Disney, scene set up by Trell, photo by me, Christmas copyright of Jesus)
Thanos would have no little dog Max to serve as a moral compass, or as a witness to his Holiday perfidy. Instead, Pip the Troll would probably be his unwilling servant. (Pip would be perfect as second banana with his smart remarks and stinky cigars.)
Will Thanos destroy Whoville? Would he incinerate little Cindy-Lou Who? Does he even enjoy "roast beast"? Hey, I'm just trying to get in the Holiday spirit here. It's been so hot and dry in southern Cal. Stay tuned!
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In the end, it's Santa who gains the Infinity Gauntlet, and puts everything back to normal.