Netflix and Jeff Smith's Bone Feature

This bad buzz turned up on my Facebook feed a couple days ago. It sounds like it's the end for Jeff Smith's "Bone" Feature. Jeff Smith created a cleverly written and beautifully designed comic that was geared to be just right for animation. No dice. "Bone" seemed to be cursed ever since I visited their old Character Builders Studio back in Columbus Ohio. Hey, it's not my fault. Maybe management had something to do with it...

https://www.thewrap.com/netflix-animation-shakeup-executives-fired-shows-canceled-staged-data/

 More here-

https://www.yahoo.com/entertainment/never-again-jeff-smith-posts-215000073.html

https://www.yahoo.com/entertainment/netflix-animation-erased-executives-fired-220251819.html?guccounter=1

 

("Bone" original copyright Jeff Smith)

And because, the Bone comic dealt with some mature issues, such as smoking and drinking alcohol, the censorship battle sprung up some years ago. There seems to be a rigid view of what an animated feature should be, and what "ingredients" it should contain. Heaven help up us if we get something refreshing, nutritious and imaginative besides the usual fast food.

http://cbldf.org/banned-challenged-comics/case-study-bone/ 

https://www.theguardian.com/books/2014/sep/19/jeff-smith-bone-us-banned-books-week

It's been a long time since I read the comics, but I remember Bone's story beginning to approach an epic that borrowed a bit from the Lord of the Rings trilogy. Jeff Smith's influences from classic animation, and Walt Kelly' "Pogo Possum" also added to a lively mix of comedy, action and great characters interacting. Plus, some mysteries and drama that arise with the female leads, and their connection to the Dragons. It would be quite a story to squeeze all that material into one feature, along with all the desperately needed pop culture and music to "help make it a hit".

Get back to the basics here.

https://www.boneville.com/

Streaming Animation - Rights for Artists and Viewers

Credit where credit is due: I think this article by Alex Dudok de Wit on Cartoon Brew gives a thorough rundown on the situation of streaming sources and their rates. Excellent research.

https://www.cartoonbrew.com/streaming/the-ultimate-guide-to-streaming-animation-comparing-netflix-amazon-prime-video-hulu-disney-apple-tv-hbo-max-177645.html

 Alex's article took me back to my concerns about the rights of animation artists working in new media, and the rights of consumers. It looks like we have simply gone back to paying for a new type of cable TV, on top of paying our internet bills. And will the new media studios try to continue in nickel and diming the artists to death? My Spidey-Sense says yes.

https://animationre-creation.blogspot.com/search/label/corporate%20mergers

And then there's this: After months of negotiations with ShadowMachine, animation artists finally succeeded in signing a Guild labor contract on Bojack Horseman. Now, after a six year run, Netflix is pulling the plug on the show.

(copyright Netflix)

https://ew.com/tv/2019/09/28/aaron-paul-says-netflix-decided-end-bojack-horseman/

https://variety.com/2019/tv/news/bojack-horseman-final-season-netflix-1203351456/ 

https://www.cinemablend.com/television/2481223/why-is-netflixs-bojack-horseman-ending-aaron-paul-seems-to-have-a-different-explanation

With the financial and technology situations changing so rapidly, I can see why the studios want to hedge their bets on labor and other production costs. But I still think animation artists and technicians need representation in new media, and citizens still need a Digital Bill of Rights. Especially when it comes to our savings, and our privacy. And just our plain old satisfaction when we plunk down in front of whatever screen we choose for entertainment.

https://www.awn.com/news/bojack-horseman-crew-votes-unionize

https://www.cartoonbrew.com/artist-rights/breaking-bojack-horseman-crew-is-victorious-in-unionizing-with-animation-guild-176148.html

https://www.hollywoodreporter.com/news/netflixs-bojack-horseman-animators-push-union-wages-1205833

AT&T Time Warner merger

Ma Bell now owns Batman, Bugs Bunny and half of Hollywood???

 

Enjoy your stay.

 

(From Porky Pig's Feat, directed by Frank Tashlin. Original copyright Warner Bros.)

 

Will research and update asap.