Showing posts with label Osamu Tezuka. Show all posts
Showing posts with label Osamu Tezuka. Show all posts

Monday, July 04, 2022

The Bad Guys

 Here we go: I finally caught Dreamworks' "The Bad Guys" on Blu-ray. While I didn't fall in love with it, The Bad Guys has some elements that I admire. Even with a healthy box office turnout, Comcast/Universal didn't waste much time putting the movie out online and out on disks. After the loosening of Covid lockdown guidelines, the movie has generated a good buzz. The end credits even mention that the film was made during "unprecedented times". After the disasters that started in 2020, "The Bad Guys" is a part of animation film history, now that I think about it. Without high speed internet, and Zoom meetings, effective animation production would have been on a much rougher road.

Mr. Wolf's driving puts Speed Racer to shame!
(copyright Dreamworks/Universal)

And it's far from being a dud: Bad Guys has likeable characters, homages to famous heist movies and yet, callbacks to classic Looney Tunes, and even some Anime'. I think my old supervisor on Ren and Stimpy would have called it "snapimation" in the way characters "pop" from pose to pose. Mr. Wolf stands up to some potentially lethal punishment with their crazy cartoon logic, and Bad Guys is also following the trend to work some traditional "2-D" elements added back into a 3D computer animated film. Animation director Pierre Perifel brings in smears, flat style designs with smoke and facial expressions. Some of the animation even reminds me of Osamu Tezuka , with the eyes, mouths and outrageous poses.The overall background design is based on a present day Los Angeles/So Cal environment, with a humorous, and even glowing, sort of romantic style.

 (copyright Dreamworks/Universal)

The Bad Guys universe is a world primarily populated by cartoon humans, with the stars being the only few "funny animal" characters. Mr. Wolf and his crew appear to be magical characters that have negative histories going back to mankind's earliest myths. Their ostracization seems to have contributed to their becoming bank robbers, and troublemakers in general, reveling in their revenge against decent society. The plot revolves around the characters' attempt to "go straight", and their own secret longings to be accepted by the outside world. Naturally, things go awry, in a fun, crazy way. And, of course, Mr. Wolf's life is complicated when his heart is touched by accidentally helping a little old lady, and then the attentions of a lovely young vixen, who also happens to be their state Governor.

(copyright Dreamworks/Universal)

On the downside, the film is very dialogue heavy. Feeling a bit jaded, I first watched BG with the directors' commentary on. Without the performance of the voice actors, the movie sort of just clicked and popped along. And being a tribute to Quentin Tarantino movies, the film depends quiet a bit on flashbacks, with healthy doses of exposition to explain events that occurred off camera.

(copyright Dreamworks/Universal)

But all in all, The Bad Guys is a nice break from our Covid, politics and war nightmares. Definitely worth checking out.

https://www.latimes.com/entertainment-arts/movies/story/2022-04-25/bad-guys-los-angeles-animation-pierre-perifel

 https://www.pinterest.com/pin/806355508295247755/

https://www.imdb.com/title/tt8115900/

Wednesday, August 11, 2021

R.I.P. Fred Ladd - American Producer of Astro Boy

Well, time takes it's toll. Again.

 (photo copyright Anime' News Network)

Sorry to report on geeky stuff, but Ohio native Fred Ladd - American producer of the classic, foundational anime' Astro Boy, has passed away August 3rd. at 94.

I was able to see Ladd speak at an ASIFA-Hollywood presentation years ago in Burbank. While he was known for bringing Astro Boy to the states, here's another show he brought to the U.S. When the other networks saw what a hit NBC had with Astroboy, they tried to make another one with "Space Ace". (Not the video game.) For the U.S., I think they called him "Ringo" at the ASIFA screening. Ironically, it never took off. I guess one Astro Boy is enough.

https://www.youtube.com/watch?v=vgNPPHlcLcc

But here's to the pure enjoyment, and the pathways laid down for practically all the anime' that followed Fred Ladd's lead into the North American TV market. Astro Boy wrote the book on how to present great storytelling, and beloved characters. Developed from manga (comics) the animation was done on a dime, but Osamu Tezuka's classic designs and screen direction still kept us captivated, even with black and white TV.

 Thank you Mr. Ladd!

 https://www.animenewsnetwork.com/news/2021-08-10/american-anime-pioneer-astro-boy-anime-producer-fred-ladd-passes-away-at-94/.176123

https://www.crunchyroll.com/anime-news/2021/08/10-1/astro-boy-american-anime-producer-fred-ladd-passes-away-at-94

 

Friday, September 06, 2019

Raya and the Last Dragon

I'm a couple weeks late on this, but I learned about Disney's upcoming animated feature, Raya and the Last Dragon from a friend on Facebook. And at first I thought "okay, ha ha, cute". Another Disney princess animated feature, it ought to do well.

But then, with the success of anime', and films like Mulan and Kung Fu Panda, it made me realize the size of the business prospects of the southeast Asia movie audience.

(copyright Disney, taken from polygon.com, taken from Twitter during D23 in Anaheim.)

Long ago, TV and movies have made me a fan of Bruce Lee, Jackie Chan and Speed Racer, not to mention Osamu Tezuka and Hayao Miyazaki. Anime and Kung Fu action movies already have a foothold in the U.S. with a healthy fan base, and animated features like Kubo and the Two Strings, and The Princess Mononoke have shown positive and empowering examples of female characters.

While older anime' films and TV shows may have brought a distorted, and cliched view of Asian culture to me and the west, I hope that it has made Americans more aware of current events happening overseas. Not to mention giving Hollywood more cash flow. 'Nuff said!


Another factor seems to be the news of protests in cities like Hong Kong show a demand for democracy, although the authoritarian governments there are clamping down hard on free speech and human rights. In a backhanded way, Hollywood may be helping to bring democratic values and human rights to our tattered world.


And then, cliches and stereotypes may be scrapped, and new life may be brought to beloved Asian characters: