Disney Sues Marvel Creators’ Families To Keep Full Control Over Character Rights

Here we go again:

Disney is preemptively suing the families of comic creators to hang on Cap, Spidey and all the rest of the Marvel Universe to keep all of those sweet superhero simoleons. Indefinitely.

(original copyrights of photos unknown, taken from piratesandprincesses.net)

https://www.msn.com/en-us/entertainment/news/disney-sues-marvel-creators-families-to-keep-full-control-over-character-rights/ar-AAOQw50?ocid=msedgntp

https://www.piratesandprincesses.net/disney-marvel-fights-back-against-copyright-termination-lawsuits/

How 'Spider-Man: Into The Spider-Verse' Was Animated | Movies Insider

Innovations in Animation - Part 2 - Spider-Man: Into the Spider-Verse

 It's been a hard year. As we start to dig out from under the horrors of 2020 and the Covid pandemic, let's take a moment to get back to my topic of Innovations in Animation. After my first entry from the 1980's, ("Twice Upon A Time") I want to jump forward to the 21st Century. Through the years, Sony Pictures was not my top pick as far as animation or superhero film studios go. But Spider-Man: Into the Spider-Verse won the Oscar for Best Animated Feature for the studio. I finally saw it on Blu-Ray, and it definitely caught my attention.

(copyright Sony/Marvel/Disney?) 

Comic book style! Other attempts have been made, with dubious success.

Hand drawn effects over 3D, far advanced from old cell shaders.

 

https://www.imdb.com/title/tt4633694/

https://www.imageworks.com/our-craft/feature-animation/movies/spider-man-spider-verse

 https://www.foundry.com/insights/film-tv/into-spiderverse 

 https://www.youtube.com/watch?v=jEXUG_vN540

https://characterdesignreferences.com/art-of-animation-7/art-of-spider-man-into-the-spider-verse-part-1?fbclid=IwAR1iIrNQ4S-zKVtUY0NEt36ya6HTwBJd1dfF6s8C4k-8EGVT5UupxSUXr4E

 Art Direction by Dean Gordon, Patrick O'Keefe

Production Design -  Justin K. Thompson

Danny Dimian - Visual Effects Supervisor

Directed by
Bob Persichetti     
Peter Ramsey     
Rodney Rothman

Writing Credits  
Phil Lord     ...     Screenplay
Rodney Rothman     ...     Screenplay
 
Phil Lord     ...    Story

Paul Watling - Head of Story

 

While it's not a direct part of the MCU, Kevin Feige's hand still seemed to be felt.

Covid Lock Down Art

 Well, I've fallen behind on my Innovations in Animation articles for my blog. But here's a side project I did to help with morale in my neighborhood during the Covid-19 lock-down this year. These painting were done on bathroom tile for a community art project set up by a neighbor a couple of streets over from my place. It was fun, if a little weird. My neighbors put some heart and soul into this display to cope with the crisis brought on by our worse than worthless administration.

Toluca Lake resident Rick Garman let us place our art in the flowerbed in front of his building. Part of the challenge was making the art waterproof to stand up to the lawn sprinklers. This was my final entry. I call this one "The Show Must Go On!" It was meant originally for Halloween, but it took longer than I thought, so I adapted it for the celebrations we needed after the election. And hopefully when we bring the Covid outbreak under control. Toluca Lake Magazine has a nice article here:

https://tolucalake.com/2020/05/spreading-happiness-one-tile-at-a-time/

 

(artwork copyright various neighborhood artists)

And of course there were a few rules-

So far, I think the reaction has been positive. One of my pieces was either taken, or thrown away. I'd like to think someone enjoyed so much that they swiped it, even though it ticks me off a bit if they did. At least I made something worth taking! I didn't think this one was that good.

"Quiet cabin in the woods." We missed out on it this summer.

A couple months later this summer, someone did a curation, and lifted some tiles to a more notable place above the flowerbed: A couple of my pieces were "Ride the Dragon" and "Masked Heroes".

(artwork copyright various neighborhood artists)

 

(Rocket and Groot copyright Marvel/Disney. 

All other artwork copyright various neighborhood artists) 

Had fun with this guy. Dragons were on my mind this year, even though it's the Year of the Rat.

(Rocket and Groot copyright Marvel/Disney)

I have to admit, I got a bit carried away with this over the summer. I think I put in 8 or 9 pieces! But I wanted to pay tribute to the front line workers whose jobs have been made more difficult due to the pandemic. My curse for cuteness and whimsy dulls down the message a little bit.

Of course, there's the mask message. I'm still infuriated with neighbors who still think the virus is not a hazard, or that wearing a mask is a big infringement on their rights. I guess they don't wear seat belts either. I'm old enough to remember when that was a big issue!

On top of the Covid-19 crisis, we had another brutally hot summer, more record setting forest fires across the west, and unprecedented civil unrest due to police violence nationwide. Besides following the rules of the lock-down, these pieces were the least I could contribute. I'm very grateful to Rick Garman for this opportunity to let me present my art. We all need to pause, and appreciate small acts of kindness in the face of all this suffering and loss. As we head towards a shaky Holiday season, I hope these little bon-bons helped brighten someone's day.

Spidey's mask covers his entire face, so I guess he's okay.

 

(Starting top clockwise, art copyright Lucasfilm/Disney, DC comics, Time/Warner and Marvel/Disney)

Superhero sketches summer 2019

Just some quick sketches, thinking of the good ol' days...

Raya and the Last Dragon

I'm a couple weeks late on this, but I learned about Disney's upcoming animated feature, Raya and the Last Dragon from a friend on Facebook. And at first I thought "okay, ha ha, cute". Another Disney princess animated feature, it ought to do well.

But then, with the success of anime', and films like Mulan and Kung Fu Panda, it made me realize the size of the business prospects of the southeast Asia movie audience.

(copyright Disney, taken from polygon.com, taken from Twitter during D23 in Anaheim.)

Long ago, TV and movies have made me a fan of Bruce Lee, Jackie Chan and Speed Racer, not to mention Osamu Tezuka and Hayao Miyazaki. Anime and Kung Fu action movies already have a foothold in the U.S. with a healthy fan base, and animated features like Kubo and the Two Strings, and The Princess Mononoke have shown positive and empowering examples of female characters.

While older anime' films and TV shows may have brought a distorted, and cliched view of Asian culture to me and the west, I hope that it has made Americans more aware of current events happening overseas. Not to mention giving Hollywood more cash flow. 'Nuff said!

https://www.polygon.com/2019/8/24/20812723/raya-and-the-last-dragon-disney-animated-movie-release-date

Another factor seems to be the news of protests in cities like Hong Kong show a demand for democracy, although the authoritarian governments there are clamping down hard on free speech and human rights. In a backhanded way, Hollywood may be helping to bring democratic values and human rights to our tattered world.

https://variety.com/2019/film/news/mulan-cast-d23-boycottmulan-1203311115/

https://time.com/5653973/mulan-boycott-liu-yifei/

And then, cliches and stereotypes may be scrapped, and new life may be brought to beloved Asian characters:

https://www.businessinsider.com/marvels-shang-chi-could-be-huge-at-china-box-office-2019-7

But it all comes down to business. I hope they can continue to entertain, while respecting cultures and maybe helping humanity in the long run. I've only scratched the surface on this subject.

https://www.marketwatch.com/story/movie-box-office-in-china-now-bigger-than-us-as-domestic-films-draw-big-audiences-2018-05-21

https://www.latimes.com/business/la-fi-ct-china-movies-20181213-story.html

https://screenrant.com/american-movies-better-china/

https://en.wikipedia.org/wiki/List_of_highest-grossing_films_in_China

https://variety.com/2018/film/asia/china-box-office-global-biggest-first-quarter-2018-1202742159/https://www.salon.com/2019/07/13/the-international-movie-market-is-transforming-hollywood_partner/

https://www.hollywoodreporter.com/news/filmart-a-market-by-market-169343

San Diego Comic Con

(swiped from Facebook)

 

Sometimes I still get the fear of missing out on Comic-Con, but the stress and expense are too much. And a lot of trains have left the station since then. Comic-Con used to be about talking to artists and writers, and just scrounging thru boxes of back issues, but since it "went Hollywood", the bloom is off the rose for me. I can't deny the success of the MCU. The giants like Stan Lee and Jack Kirby created a modern mythos that Joseph Campbell would understand. But to me, the original Marvel Bullpen seems to be becoming hazy legends like Homer and the Odyssey, or even Shakespeare.

Those times were from my crazy youth, and I'll always cherish them.
But it's time to move on now.

Looking back on the Con from 1994(?)

 Still, enjoy the day!

SIGGRAPH 2019 Keynote Speaker Victoria Alonso from Marvel Studios

First rumblings of Siggraph, which will be in L.A. this summer.

Being a comic book geek, I'm kind of anxious to hear one of the keynote speakers, Victoria Alonso, Executive Vice President of Production for Marvel Studios.

 

(photo copyright Siggraph)

From her bio in the first link below, Alonso started at Digital Domain, then joined Marvel as Executive Vice President of Visual Effects. She has won awards from the Visual Effects Society (VES), and the Harold Lloyd Award from the Advanced Imaging Society.

No info yet on the time or date of her talk.

The main dates for Siggraph I've found are from Sun, Jul 28, 2019 to Thu, Aug 1, 2019.

Will try to update more asap.
 

UPDATE: Victoria Alonso is scheduled to speak Monday, July 29, 2:00 - 3:15 PM.

Special thanks to Ginger Alford for the info!

https://s2019.siggraph.org/conference/programs-events/keynote-session/?fbclid=IwAR3z1lhDp0cOmGdTezMNUmKfVlfRqOzE9lLN3cfAXMUTWN7nXh3ZVEEQJC0

https://s2019.siggraph.org/ 

https://blog.siggraph.org/

Director James Gunn Reinstated For ‘Guardians Of The Galaxy 3’

 After the political hit job, and much clutching of pearls over past sins, and past payments for sins, Guardians Of The Galaxy Director James Gunn is reinstated by Disney. We may finally get proper introduction of Adam Warlock in the MCU.

 (artwork copyright Marvel/Disney)

https://deadline.com/2019/03/james-gunn-reinstated-guardians-of-the-galaxy-3-disney-suicide-squad-2-indefensible-social-media-messages-1202576444/?fbclid=IwAR1c4alcrxcBsdLozrWMmLmg-k9S7NYUt0LWQW3tStjBvcxj09pcp8d8G40

Spider-Man: Into the Spider-Verse

'Nuff said!

https://www.sonypictures-guilds.com/

https://www.awn.com/news/spider-man-spider-verse-wins-best-animated-feature-46th-annie-awards

RIP Stan Lee

Here's to one of the greatest parts of my childhood, and development as a cartoonist, and as an artist.

Along with Jack Kirby, Steve Ditko and John Buscema, along with an almost endless list of other editors, writers and artists most comics fans will know by heart, Stan Lee created the most beloved and enduring comic book characters to date. Granted, all the Marvel Bullpen artists did their share of the heavy lifting in creating the Marvel Universe, which finally led to a financial empire of toys, knick-knacks, action figures, books, animated TV shows, and finally feature films so prosperous that an unlikely rival media conglomerate, (Disney) could not pass it up.

(original copyright Simon and Schuster)

Stan also served in the U.S. Army.

https://www.msn.com/en-us/movies/news/marvel-comics-legend-stan-lee-dies-at-95/ar-BBPCSj8?li=BBnb7Kz&ocid=mailsignout

 

https://www.nytimes.com/2018/11/12/obituaries/stan-lee-dead.html 

 

https://www.hollywoodreporter.com/news/stan-lee-marvel-comics-legend-721450

 https://en.wikipedia.org/wiki/Stan_Lee

In a Joseph Campbell way, Stan was a modern shaman to me, weaving tales about the Fantastic Four, The Incredible Hulk, and Spiderman, to name a few. Not to mention the X-Men, Thor, Dr. Strange and Iron Man. I plunked down many a quarter, then 35¢, and then well over a dollar to travel off to other worlds of mutants, monsters, madmen and gods. Stan Lee also helped me expand my vocabulary. Where else would a kid in grade school read about a "tumultuous exodus"? It helped drive my teachers crazy. Thank God for such pandemonious puffery! Spellcheckers be damned.

It's tempting to call Stan Lee a modern Shakespeare, with his stories of arrogant men falling, being humbled, and then rising again as heroes. But Lee's heroes also kept all of their quirks, faults and weaknesses, whereas most of the DC Comics universe had heroes who were almost always squeaky clean. How dull. No, in the Marvel Universe, Peter Parker struggled with paying the rent, looking after an aunt who always seemed to be at death's door, and an impossible boss who had a personal vendetta against Peter Parker's alter-ego Spiderman. Soap opera writers must have been jealous.

Tony Stark, Stephen Strange, Ben Grimm and an entire legion of characters were humbled, stumbled and still rose to the occasion when the Marvel villains, most of whom also had their own stories and issues, threatened New York City, the Earth, or even the entire universe. Victories were won, but often at a price, and revelations of the depth of the characters emerged on both sides of the conflict. I seem to be gushing with Stan's "purple prose" here. And maybe some Jules Feiffer.

Got to wrap this up now, but I still treasure these mementos from my childhood. Being able to learn storytelling, draftsmanship, graphic design and even literacy from the humble, much maligned comic book leaves many geeks in Stan Lee's debt. R.I.P Mr. Lee.

Excelsior!

Guardians of the Galaxy Vol. 2 Sneak Peek

Here it comes, Rocket rules!

Rocket Racoon for President

This fall, put some REAL crooks in the White House!

(copyright Marvel/Disney)

Hey, you could do worse.

Quick sketch, will try to do more.

Joe Sinnott sketch of Ben Grimm, the Thing.

I don't remember if I went to comic con that year, but I met Joe Sinnott on an Amtrak train going east in the summer of 1995. He saw me sketching, and seemed impressed that I could draw on a moving train. He later gave me this sketch of Ben Grimm, the Thing. I think he said something about not wanting to be deterred by a rocking train.

(Ben Grimm - the Thing by Joe Sinnott, now copyright Marvel/Disney.)

Found this sketch in the bookshelf today. (I have it framed now.) Man, it's been almost 20 years?!

I've lost track of time it seems. Joe Sinnott gave me this beautiful sketch 2 years after I met Jack Kirby. Just wanted to set the record straight. The Thing is truly one of Jack's creations!

Jack Kirby San Diego Comic Con

This was my most cherished memory from the San Diego Comic Con. This was the day I met Jack Kirby. (I think this was 1993.) He was just standing there in lobby by himself. I hesitated, then asked if I could get a picture. He seemed more than happy about it. I was surprised that he didn't have a whole crowd around him. I said thank you to him, but beyond that, we didn't say much. It didn't occur to me much, much later that he might have wanted to have been left alone.

(Photo taken by Mark Evanier for the L.A. Weekly  Suzy Skaar for "The Art of Jack Kirby" (Blue Rose Press, 1993)

This is a collage I put together in tribute to Jack. The newsprint article is from the 1994 L.A. Weekly.

Later that year, In August 1995, I met Joe Sinnott on a train ride going east. Sinnott was Kirby's inker during the Silver Age, I believe. He saw me sketching, and gave me a sketch of Ben Grimm.  Whatta year. Long live the King!

Hawkman vs. Daredevil

This is a lot tougher than I thought. Really got to tip my hat to Ross over at http://braveandboldlost.blogspot.com/

(art copyright Marvel/Disney and DC/Time-Warner)

This was bashed together from low rez jpegs of Daredevil #20 and Hawkman #4.

Now I know.

salute!

How Thanos stole Christmas (Not the Grinch) - Part I

Another guilty pleasure. This scene was set up by my friend Trell at the Animation Guild in Burbank. You can check out his cool goodies at 

http://www.jupeykrusho.com

http://jupeykrusho.blogspot.com

Trell deserves the credit. But this scenario could be totally insane: It would take the Avengers, Warlock, Captain Mar-Vell, the Defenders and Spider-Man to handle this crisis. Okay, and the X-Men and S.H.I.E.L.D. too.

(And it would probably have a cameo by Stan Lee as well.)

(Thanos created by Jim Starlin, copyright Marvel/Disney, scene set up by Trell, photo by me, Christmas copyright of Jesus)

Thanos would have no little dog Max to serve as a moral compass, or as a witness to his Holiday perfidy. Instead, Pip the Troll would probably be his unwilling servant. (Pip would be perfect as second banana with his smart remarks and stinky cigars.)

Will Thanos destroy Whoville? Would he incinerate little Cindy-Lou Who? Does he even enjoy "roast beast"? Hey, I'm just trying to get in the Holiday spirit here. It's been so hot and dry in southern Cal. Stay tuned!

Click button for Spoiler

In the end, it's Santa who gains the Infinity Gauntlet, and puts everything back to normal.

Guardians of the Galaxy - Animated Series

(Updated 10-12-14)
Hope this is a real scoop, it looks good.

First, via email from a friend,
Then, a post on Facebook,
Now, through the Animation Guild blog,

 http://animationguildblog.blogspot.com/2014/10/newer-marvel-animation.html

Next, the Hollywood Reporter...

 http://www.hollywoodreporter.com/heat-vision/guardians-galaxy-animated-tv-series-739981

So don't tell anybody!

 "Bigger blasters?"

(copyright Marvel/Disney)

Sorry about the small size, had trouble with the embed.

https://www.youtube.com/watch?v=mLAU6jF0qwY#t=10

Marvel settles with Jack Kirby estate

(Photo taken by Suzy Skaar for "The Art of Jack Kirby" (Blue Rose Press, 1993)

http://herocomplex.latimes.com/movies/marvel-settles-dispute-over-superhero-rights-with-jack-kirby-estate/#/0

It's taken me more time than I thought to comment on this news item, and I hope I've learned a bit more about the artist/employer relationship. When it comes to Jack Kirby, and all the work he has produced, it stirs up a lot of passion in comic fans.

And that's not a bad frame of mind, but it may not be useful when dealing with our current business climate. (My commentary will naturally be biased towards the artist.)

When Disney acquired  Marvel Comics, it seemed like mixing oil and water. I could not see how Disney's wholesome, family image could be balanced with Marvel's gritty superhero themes. Except for the profit motive, of course.

Marvel Comics had been owned and passed along by quite a few different corporations over the years since the first Lee/ Kirby days.The issues of who created which characters, and who signed their rights of ownership away as work for hire seemed to settled.

No one knew who would create the next Mickey Mouse or Superman, so these guys cranked this stuff out just to earn a paycheck. Comics were considered disposable, like old newspapers. Case closed, or so it seemed.

However, I learned recently from a debate on LinkeIn that the families of Siegel and Shuster, the creators of Superman, had been getting some kind of royalties, or share of the profits that the Superman character had generated for DC comics over the years. 

"With great power comes great responsibility"

(Simpsons copyright Fox)

Even though I'm a comic fan, I missed this information somehow. My assumption is the public having an image of the families of the creators of Superman being "left to starve" created bad press. And so a new arrangement was made to cut the heirs of Shuster, if not Siegel, in for some of the profits. Guess I need to hang out at more comic conventions. 

Oi.

Getting back to the settlement with the Kirby estate, a commentator on LinkedIn noted that this Lee/Kirby feud may have been old baggage that Disney did not want to lug around anymore. I can just picture their reluctant hands going down a little ways into those deep pockets and tossing the Kirby descendents a few bones. 

Whether the DC/Siegel and Shuster settlements set some kind of legal precedent will take more digging on my part. (Hooha!) But knowing the image Disney wants to portray may have spurred them into pouring oil on these troubled waters, even though it's quite late in the game.

Another thing that surprised me was how a faceless organization like Time/Warner could have made such a "warm and fuzzy" move with the Superman heirs. By faceless I mean that Disney had Walt, and Marvel had Stan Lee. But Time/Warner has no real "faceman", other than Bugs Bunny. 

Rant time: Business is business, and a deal is a deal, but maybe the world is getting tired of these huge media conglomerates winning ugly. Or else these corporations just want to avoid any more embarrassment.

But here's to Jack, still the King!

Guardians of the Galaxy Awesome Mix Vol. 2

Just my suggestions for the next movie's Awesome Mix Vol. 2:

(copyright Marvel/Disney)

1. Motherlode - When I Die
2. The Stampeders - Sweet City Woman
3. Pure Prairie League -Amie
4. Rick Derringer - Rock & Roll Hoochie Koo
5. Edgar Winter Group- Free Ride
6. ELO - Twilight

7. David Bowie - Look back in Anger (1979, might be too late in their timeline) or, Suffragette city 1972

8. Looking glass - Brandi you're a fine girl

9. Sugarloaf - Green Eyed Lady - How's that for Gamora?

10. Steely Dan - ?
11. Marshall Tucker Band? Heard it in a love song
12...

We have to remember that this tape was put together by Star-Lord's mother, so the songs would stay on the fun and light side. I'm still up in the air about these:

The Temptations - Papa Was A Rolling Stone (referring to Star Lord's real father)
The O'Jays - Back Stabbers
The Allman Brothers Band?
Queen?
Led Zepplin?
Kiss?