Showing posts with label studios. Show all posts
Showing posts with label studios. Show all posts

Tuesday, October 15, 2019

Studio Showrunners and Talent jumping to Streaming Services

New gold rush? New brain drain? Streaming (a.k.a. the new cable TV) seems to be the technology we should focus on. The L.A. Times reports on how showrunners are leaving TV production for the streaming service companies. This is concerning since good animation jobs will depend on these new studios. On Star Trek, the Next Generation, commander Data mentioned that television became obsolete by 2040 as a popular form of entertainment. Looks like it will be much sooner than that.

 (By Thomas Suh Lauder and David Ng)

https://www.latimes.com/projects/la-et-netflix-job-report/?fbclid=IwAR0cF6erLuldRlG_jD92KuistK69yGS_7ZMyW0b8TRyhop2VPCVPAIgJa00

In the meantime, Carl Beu created this nifty chart showing how timers form the heart, or maybe the backbone of TV animation employment.

 


Carl used Gephi to create this cool chart.

Monday, December 26, 2016

Watchcat xmas 2016


http://watchcatfiles.blogspot.com/

Watchcat teams up with Ol' Saint Nick to foil some last minute Holiday crimes. Looks like Santa has learned to handle himself over the years!

(copyright Jim Richardson)

Friday, August 14, 2015

Siggraph 2015


Didn't get there in time for any seminars or movies, but lots of learning opportunities for students to make their own toys, robots, gadgets, etc. Young people are doing more with laser cutters and 3D printers.
 
Also demos on more total immersion with virtual reality systems. The vendor floor was smaller than usual, but the Foundry, Autodesk , Mocha and some pipeline system companies were there.










Wednesday, October 08, 2014

Marvel settles with Jack Kirby estate



(Photo taken by Suzy Skaar for "The Art of Jack Kirby" (Blue Rose Press, 1993)

It's taken me more time than I thought to comment on this news item, and I hope I've learned a bit more about the artist/employer relationship. When it comes to Jack Kirby, and all the work he has produced, it stirs up a lot of passion in comic fans.

And that's not a bad frame of mind, but it may not be useful when dealing with our current business climate. (My commentary will naturally be biased towards the artist.)

When Disney acquired  Marvel Comics, it seemed like mixing oil and water. I could not see how Disney's wholesome, family image could be balanced with Marvel's gritty superhero themes. Except for the profit motive, of course.

Marvel Comics had been owned and passed along by quite a few different corporations over the years since the first Lee/ Kirby days.The issues of who created which characters, and who signed their rights of ownership away as work for hire seemed to settled.

No one knew who would create the next Mickey Mouse or Superman, so these guys cranked this stuff out just to earn a paycheck. Comics were considered disposable, like old newspapers. Case closed, or so it seemed.

However, I learned recently from a debate on LinkeIn that the families of Siegel and Shuster, the creators of Superman, had been getting some kind of royalties, or share of the profits that the Superman character had generated for DC comics over the years. 

"With great power comes great responsibility"

(Simpsons copyright Fox)

Even though I'm a comic fan, I missed this information somehow. My assumption is the public having an image of the families of the creators of Superman being "left to starve" created bad press. And so a new arrangement was made to cut the heirs of Shuster, if not Siegel, in for some of the profits. Guess I need to hang out at more comic conventions. 

Oi.

Getting back to the settlement with the Kirby estate, a commentator on LinkedIn noted that this Lee/Kirby feud may have been old baggage that Disney did not want to lug around anymore. I can just picture their reluctant hands going down a little ways into those deep pockets and tossing the Kirby descendents a few bones. 

Whether the DC/Siegel and Shuster settlements set some kind of legal precedent will take more digging on my part. (Hooha!) But knowing the image Disney wants to portray may have spurred them into pouring oil on these troubled waters, even though it's quite late in the game.

Another thing that surprised me was how a faceless organization like Time/Warner could have made such a "warm and fuzzy" move with the Superman heirs. By faceless I mean that Disney had Walt, and Marvel had Stan Lee. But Time/Warner has no real "faceman", other than Bugs Bunny. 

Rant time: Business is business, and a deal is a deal, but maybe the world is getting tired of these huge media conglomerates winning ugly. Or else these corporations just want to avoid any more embarrassment.

But here's to Jack, still the King!

Sunday, September 14, 2014

Cartoon Horse and rider - Wander Over Yonder

I've become a big fan of Wander Over Yonder. and noticed over the years how the cowboy, or adventurer theme comes back to TV animation every now and then.

http://tvtropes.org/pmwiki/pmwiki.php/WesternAnimation/WanderOverYonder?from=Main.WanderOverYonder

Wander Over Yonder seems to have some roots in these old shows.
Wander is the hippie-cowboy who rides his alien "Zbornak" named Sylvia.
Sylvia serves as his horse.
In most of these shows, the horse is very often the reluctant companion,
or, after a misadventure, is the one who usually says "I told you so."

(copyrights clockwise from upper left: Terrytoons, Filmation, Jay Ward Productions, & Disney)

Starting in the upper left, we have The Adventures of Lariat Sam from Terrytoons in the early 1960's. Lariat Sam was produced by Bob Keeshan (Captain Kangaroo). Lariat Sam's horse was Tippy Toes, a fussy horse who wore a bowler hat with a white dickie and bow-tie. While Lariat Sam relied on his lasso instead of a gun, Tippy Toes often took the brunt of the jokes in the show's physical humor.

Then in the 1980's, there was BraveStarr with his cyberhorse 30-30 by Filmation. 30-30 could use his bionic limbs to transform from a four legged horse to a person that stood upright. 30-30 was large, strong, had a short temper, liked a good scrap, and seemed to be a weapons expert. (He even talked to his gun "Mary Jane" in one episode.) But it was BraveStarr who saved the day in overcoming the villians with the right amount of reasoning, insight and directed power. 30-30's direct confrontations with opponents never seemed to end well.

Going back to the 60's, there was Dudley Do-Right. As a Mountie in the Royal Canadian Mounted Police, Dudley was far from being the sharpest knife in the drawer. His horse, simply called "Horse", was the only one to notice when things were going wrong. Horse was also the only cartoon horse that I know of who could not speak.

Which brings us back to Wander Over Yonder. Wander is a good-natured alien meddler who travels from planet to planet with his best friend Sylvia, who also happens to be his "Sapient Steed".

http://tvtropes.org/pmwiki/pmwiki.php/Main/SapientSteed

Sylvia is the more grounded "straight man" to Wander, and the voice of reason in contrast to his impulsive need to bring help and fun across the entire galaxy. She also gets more than her fair share of physical punishment from their enemies, and just by trying to keep Wander out of trouble. It's amazing she still stays with Wander with all the abuse she has to put up with.

*  *  *  *  *  *

Another show that was kind of obscure was Luno the White Stallion: I actually only saw one episode while on a car trip to Florida while passing through Atlanta. From then, I was hooked. It took me years to find some episodes on VHS. Luno was another version of Pegasus that symbolized travel, adventure, and magic. Luno and Tim could fly back in time to classic storybook adventures.

(original copyright Terrytoons)

Hey, the Aquabats liked him enough to put him in a song:
 http://www.youtube.com/watch?v=bpmwW68FOJU
www.theaquabats.com

While not a TV show,  I have to bring up the Magic Pony by Soyuzmultfilm. CFPL TV 10 in London, Canada would drift over Lake Erie to northeast Ohio. The CBC brought me an extra range of children's shows in addition to the U.S. networks in the 1960's.

 (copyright Soyuzmultfilm)

To my knowledge, the Magic Pony was never shown, but I loved the full animation Soyuzmultfilm put out. The boy in this story learns the dangers in telling tall stories, and gets more than he bargained for when he accidentally captures the queen of the magic horses.

Wednesday, February 19, 2014

“Life After Pi” Rhythm & Hues

Christina Lee Storm and Scott Leberecht's film about the final days at Rhythm & Hues.



From the trailer, it reminds of "Dream on Silly Dreamer".

http://www.latimes.com/entertainment/envelope/cotown/la-et-ct-on-location-20140218,0,7566544.story#axzz2tpIqwyK0

http://www.youtube.com/watch?v=eX81NlqWSxU

More here on Facebook -

https://www.facebook.com/pages/Hollywood-Ending-Movie/588975024522824