Showing posts with label design. Show all posts
Showing posts with label design. Show all posts

Thursday, April 22, 2021

Gnomon_School Animatics for Indie Filmmakers with Unreal Engine

 https://www.gnomon.edu/community/events/animatics-for-indie-filmmakers-with-unreal-engine

(Copyright Miguel Ortega & Tran Ma - Gnomon School)

Here is the short film project of Miguel Ortega, director and VFX artist, and Tran Ma, production designer and VFX artist. They demonstrate on the fly layout, scene composition and film direction using 3D assets in the Unreal Engine. Moderated by Beau Janzen, Gnomon Education lead.

Will look for youtube link asap.

https://www.gnomon.edu/about/instructors/tran-ma

https://www.gnomon.edu/about/instructors/miguel-ortega 

https://www.facebook.com/TheNingyo/

Sunday, April 08, 2018

USC's end of the year show - First Frame - 2018

 Phenomenal student work from USC's animation department! A bit chopped up so the viewer only gets a tiny taste of each project, but worth further investigation. Try the Vimeo link below if the embedded video is still blocked.


Sunday, March 25, 2018

CGI Dreamworks Animation Studio Pipeline

Hello group, 2018 has been off to a rough start for me, and I'm behind as far as re-purposing this blog for education, and updates on animation technology in general. DreamWorks has been kind enough to put together a presentation on the CG pipeline for us. Enjoy!

Monday, April 17, 2017

Legend Quest - Netflix

Stumbled on Legend Quest on the Animation Scoop website. Netflix is putting out this new series from Anima Estudios. Looks like fun so far. The style and characters look like they took some inspiration from Gravity Falls and Star vs. the Forces of Evil.

(copyright Anima Estudios & Netflix)

The plot revolves around Leo, and his new friends as they challenge the evil schemes of Quetzalcóatl.

The story takes place in 18th century Mexico where Leo has encountered ghosts and demons as a child, and now must do so again with his new friends: Don Andrés, who is the ghost of an old conquistador, Teodora, who is a actually a hologram of a girl somehow transported from the 21st century, and Alebrije, a magical creature based on Mexican folk art.

Looks like it has a lot of fun and action, I hope it does well.




Wednesday, December 28, 2016

Kelly Clarkson - Underneath the Tree (Official Lyric Video)

Kept hearing this on the radio, nice sentimental song. Some good motion graphics here: Art Director: Scott Brucato Produced by: Laura O'Connell Animation: Erika Lepke, Tyler Donnelly, Amanda Schmick Agency: Gupta Media, http://guptamedia.com Enjoy!

Wednesday, October 26, 2016

Stick-Gods

I was doing some Googling about the Egyptian god Anubis, 
and this popped up

(art copyright Inonibird)
Cute, fun stuff! Well designed, low key, but clever humor. 
He has a fresh approach. Spiced up my day a bit.

"You attract what your focus on."
At least Inonibird's Egyptian gods have seen the 
Charlie Brown Christmas special. 
Here's to counting down to Halloween, and then the winter Holidays!

Good Grief!


Friday, August 14, 2015

Siggraph 2015


Didn't get there in time for any seminars or movies, but lots of learning opportunities for students to make their own toys, robots, gadgets, etc. Young people are doing more with laser cutters and 3D printers.
 
Also demos on more total immersion with virtual reality systems. The vendor floor was smaller than usual, but the Foundry, Autodesk , Mocha and some pipeline system companies were there.










Monday, October 27, 2014

Here there be Dragons...

Made from large sheets of styro my neighbor was throwing out, wood glue and tooth picks.



And Cobras!
She's actually on a rod to support plants, styro for the head and a "water worm" for her body.
Happy Halloween!


Monday, September 15, 2014

Cartoon Sidekicks (or the Big Dumb Buddies who take all the abuse)

This is an addendum to the horse and rider entry. Plus I'm feeling nostalgic again.


I've also noticed the design elements such as the differences in sizes, shapes and height. Plus the different color scheme of the characters, and how they relate to each other. Most sidekicks seem to have less detail as well.

(Credits going clockwise) Super Chicken and Fred (by Jay Ward and Bill Scott); Beany and Cecil created by Bob Clampett, Tom Terrific created by Gene Deitch, and Rocky and Bullwinkle (Jay Ward and Bill Scott again).

Sunday, March 23, 2014

Ernest and Célestine - Prejudice is Manufactured

Finally saw Ernest and Celestine. I can't say I loved it completely, but it was still a good team production from France, Belgium and Luxembourg. I had been feeling run down from work, but Ernest and Celestine had already left the Valley/LA area. I had to drive down to Long Beach to see it, but it was worth it. The version I caught was in English. Oh yes, spoiler alert for folks who haven't seen it yet.

(Artwork copyright-)
http://ernestetcelestine-lefilm.com/
http://www.cartoonbrew.com/feature-film/feature-preview-ernest-et-celestine-62824.html
http://cinema.jeuxactu.com/video-conference-de-presse-ernest-et-celestine-9797.htm

In their world, mice fear being eaten by bears. Lauren Bacall  lends her voice to "The Grey One", the elderly matron mouse who runs the orphanage where Celestine lives. "The Grey One" reinforces their fears by telling the mouse children horror stories about the bears. In their initial meeting, Ernest attempts to eat Celestine, but only because Ernest is literally the starving artist. I think. Celestine brings Ernest back in line with a quick smack on the nose, sort of the way Dorothy did with the Cowardly Lion.

My feeling is that their prejudices are manufactured: Bears are portrayed as voracious monsters, and mice are shown to be greedy little parasites that would run amok. This seems to benefit the bears who dominate the surface, but the mice seem to be trapped underground. This obviously gives control to the leaders on both sides, and keeps each population subdued. After being underground all her life, Celestine is struck by the beauty of the surface world after the snow finally melts.

I like the matter of fact way in which one bear father runs a candy store, and his wife runs a "tooth boutique" across the street. Creative destruction is good for business it seems. However, the bear couple forbid their cub from eating candy. They have a little racket going, and they don't want their son being one of their victims. Strangely enough, getting new teeth is just like buying a new flash drive for the bears. Just plugin and go!

The emphasis on the mice children gathering teeth from the bears left me squirming in my chair a bit. The mice need replacement teeth, since chewing and gnawing is the only way to build and maintain their infrastructure. Dentistry is big business, and William H. Macy did a sublimely insidious job as the voice of the head dentist in the English dub. Most mice children are expected to become dentists, since so much of their population spend a lot of time in the chair!

I did like the open line, freehand artwork and the watercolor art style. All the animation was done on Cintiqs with good old Flash. With all the expensive overhead, and dependance on cutting edge technology and software, the production of Ernest and Célestine is a refreshing return to what makes us love animation. They still used current technology, but the story, design, color and character  animation make Ernest et Célestine a nice little gem.

Wednesday, October 10, 2012

Flamingo Rollerskate Waitress for the Holidays

Updating her rig to get more appealing poses; a lot mistakes I missed. I've decided she's more like a Knick-Knack character from Pixar. Had to delete history, freeze transforms, etc. Using Mental Ray helps give her a better look. Need to give her eyelids, better hands and more blend shapes. So early Merry Christmas, and Happy Holidays. Lord, I hope so.